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Introduction

The Library of the Palais Bourbon in Paris

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role.

Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but can also include works in various non-fiction genres, such as biography, diaries, memoirs, letters, and essays. Within this broader definition, literature includes non-fictional books, articles, or other written information on a particular subject. (Full article...)

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Frontispiece of a 1659 German translation
The Man in the Moone is a book by the English divine and Church of England bishop Francis Godwin (1562–1633), describing a "voyage of utopian discovery". Initially considered to be one of his early works, it is now generally thought to have been written in the late 1620s. It was first published posthumously in 1638 under the pseudonym of Domingo Gonsales. The work is notable for its role in what was called the "new astronomy," the branch of astronomy influenced especially by Nicolaus Copernicus, the only astronomer mentioned by name, although the book also draws on the theories of Johannes Kepler, William Gilbert, and Galileo Galilei.

The work tells the story of Gonsales, a Spaniard who discovers a species of wild swan able to carry substantial loads, the gansa, and contrives a device that allows him to harness many of them together and fly around an island, and eventually, to the moon and back.

Some critics consider The Man in the Moone, along with Kepler's Somnium, to be one of the first works of science fiction. Although the book was well known in the 17th century, and even inspired parodies by Cyrano de Bergerac and Aphra Behn, modern literary critics do not consider it to be very important.

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  • Image 1 Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence. Although Dickinson was a prolific writer, her only publications during her lifetime were one letter and 10 of her nearly 1,800 poems. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)

    Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood

    Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence.

    Although Dickinson was a prolific writer, her only publications during her lifetime were one letter and 10 of her nearly 1,800 poems. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)
  • Image 2 Walpole c. 1920–1925 Sir Hugh Seymour Walpole, CBE (13 March 1884 – 1 June 1941) was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death. After his first novel, The Wooden Horse, in 1909, Walpole wrote prolifically, producing at least one book every year. He was a spontaneous story-teller, writing quickly to get all his ideas on paper, seldom revising. His first novel to achieve major success was his third, Mr Perrin and Mr Traill, a tragicomic story of a fatal clash between two schoolmasters. During the First World War he served in the Red Cross on the Russian-Austrian front, and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. (Full article...)
    Walpole c. 1920–1925


    Sir Hugh Seymour Walpole, CBE (13 March 1884 – 1 June 1941) was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death.

    After his first novel, The Wooden Horse, in 1909, Walpole wrote prolifically, producing at least one book every year. He was a spontaneous story-teller, writing quickly to get all his ideas on paper, seldom revising. His first novel to achieve major success was his third, Mr Perrin and Mr Traill, a tragicomic story of a fatal clash between two schoolmasters. During the First World War he served in the Red Cross on the Russian-Austrian front, and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. (Full article...)
  • Image 3 Lie, c. 1900 Lie Kim Hok (Chinese: 李金福; pinyin: Lǐ Jīnfú; Pe̍h-ōe-jī: Lí Kim-hok; 1 November 1853 – 6 May 1912) was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg (now Bogor), West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company. Over the following two years Lie published numerous books, including Tjhit Liap Seng, considered the first Chinese Malay novel. He also acquired printing rights for Pembrita Betawi, a newspaper based in Batavia (now Jakarta), and moved to the city. After selling his printing press in 1887, the writer spent three years working in various lines of employment until he found stability in 1890 at a rice mill operated by a friend. The following year he married Tan Sioe Nio, with whom he had four children. Lie published two books in the 1890s and, in 1900, became a founding member of the Chinese organisation Tiong Hoa Hwee Koan, which he left in 1904. Lie focused on his translations and social work for the remainder of his life, until his death from typhus at age 58. (Full article...)

    Lie, c. 1900

    Lie Kim Hok (Chinese: 李金福; pinyin: Lǐ Jīnfú; Pe̍h-ōe-jī: Lí Kim-hok; 1 November 1853 – 6 May 1912) was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg (now Bogor), West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company.

    Over the following two years Lie published numerous books, including Tjhit Liap Seng, considered the first Chinese Malay novel. He also acquired printing rights for Pembrita Betawi, a newspaper based in Batavia (now Jakarta), and moved to the city. After selling his printing press in 1887, the writer spent three years working in various lines of employment until he found stability in 1890 at a rice mill operated by a friend. The following year he married Tan Sioe Nio, with whom he had four children. Lie published two books in the 1890s and, in 1900, became a founding member of the Chinese organisation Tiong Hoa Hwee Koan, which he left in 1904. Lie focused on his translations and social work for the remainder of his life, until his death from typhus at age 58. (Full article...)
  • Image 4 Amir Hamzah, c. 1928–1937 Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave. Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)

    Amir Hamzah, c. 1928–1937

    Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave.

    Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)
  • Image 5 Title page of the first edition of Wright's Certaine Errors in Navigation (1599) Edward Wright (baptised 8 October 1561; died November 1615) was an English mathematician and cartographer noted for his book Certaine Errors in Navigation (1599; 2nd ed., 1610), which for the first time explained the mathematical basis of the Mercator projection by building on the works of Pedro Nunes, and set out a reference table giving the linear scale multiplication factor as a function of latitude, calculated for each minute of arc up to a latitude of 75°. This was in fact a table of values of the integral of the secant function, and was the essential step needed to make practical both the making and the navigational use of Mercator charts. Wright was born at Garveston in Norfolk and educated at Gonville and Caius College, Cambridge, where he became a fellow from 1587 to 1596. In 1589 the college granted him leave after Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...)

    Title page of the first edition of Wright's Certaine Errors in Navigation (1599)

    Edward Wright (baptised 8 October 1561; died November 1615) was an English mathematician and cartographer noted for his book Certaine Errors in Navigation (1599; 2nd ed., 1610), which for the first time explained the mathematical basis of the Mercator projection by building on the works of Pedro Nunes, and set out a reference table giving the linear scale multiplication factor as a function of latitude, calculated for each minute of arc up to a latitude of 75°. This was in fact a table of values of the integral of the secant function, and was the essential step needed to make practical both the making and the navigational use of Mercator charts.

    Wright was born at Garveston in Norfolk and educated at Gonville and Caius College, Cambridge, where he became a fellow from 1587 to 1596. In 1589 the college granted him leave after Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...)
  • Image 6 Mary Wollstonecraft Shelley (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft. Mary's mother died 11 days after giving birth to her. She was raised by her father, who provided her with a rich informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Mary had a troubled relationship. (Full article...)

    Mary Wollstonecraft Shelley (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft.

    Mary's mother died 11 days after giving birth to her. She was raised by her father, who provided her with a rich informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Mary had a troubled relationship. (Full article...)
  • Image 7 Barney in 1898, photograph by Alice Hughes Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism. Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...)

    Barney in 1898, photograph by Alice Hughes

    Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism.

    Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...)
  • Image 8 Posthumous portrait Du Fu (Chinese: 杜甫; pinyin: Dù Fǔ; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan rebellion of 755, and his last 15 years were a time of almost constant unrest. Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)

    Posthumous portrait

    Du Fu (Chinese: 杜甫; pinyin: Dù Fǔ; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan rebellion of 755, and his last 15 years were a time of almost constant unrest.

    Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
  • Image 9 Francis bin Fathallah bin Nasrallah Marrash (Arabic: فرنسيس بن فتح الله بن نصر الله مرّاش, ALA-LC: Fransīs bin Fatḥ Allāh bin Naṣr Allāh Marrāsh; 1835, 1836, or 1837 – 1873 or 1874), also known as Francis al-Marrash or Francis Marrash al-Halabi, was a Syrian scholar, publicist, writer and poet of the Nahda or the Arab Renaissance, and a physician. Most of his works revolve around science, history and religion, analysed under an epistemological light. He traveled throughout West Asia and France in his youth, and after some medical training and a year of practice in his native Aleppo, during which he wrote several works, he enrolled in a medical school in Paris; yet, declining health and growing blindness forced him to return to Aleppo, where he produced more literary works until his early death. Historian Matti Moosa considered Marrash to be the first truly cosmopolitan Arab intellectual and writer of modern times. Marrash adhered to the principles of the French Revolution and defended them in his own works, implicitly criticizing Ottoman rule in West Asia and North Africa. He was also influential in introducing French romanticism in the Arab world, especially through his use of poetic prose and prose poetry, of which his writings were the first examples in modern Arabic literature, according to Salma Khadra Jayyusi and Shmuel Moreh. His modes of thinking and feeling, and ways of expressing them, have had a lasting influence on contemporary Arab thought and on the Mahjari poets. (Full article...)

    Francis bin Fathallah bin Nasrallah Marrash (Arabic: فرنسيس بن فتح الله بن نصر الله مرّاش, ALA-LC: Fransīs bin Fatḥ Allāh bin Naṣr Allāh Marrāsh; 1835, 1836, or 1837 – 1873 or 1874), also known as Francis al-Marrash or Francis Marrash al-Halabi, was a Syrian scholar, publicist, writer and poet of the Nahda or the Arab Renaissance, and a physician. Most of his works revolve around science, history and religion, analysed under an epistemological light. He traveled throughout West Asia and France in his youth, and after some medical training and a year of practice in his native Aleppo, during which he wrote several works, he enrolled in a medical school in Paris; yet, declining health and growing blindness forced him to return to Aleppo, where he produced more literary works until his early death.

    Historian Matti Moosa considered Marrash to be the first truly cosmopolitan Arab intellectual and writer of modern times. Marrash adhered to the principles of the French Revolution and defended them in his own works, implicitly criticizing Ottoman rule in West Asia and North Africa. He was also influential in introducing French romanticism in the Arab world, especially through his use of poetic prose and prose poetry, of which his writings were the first examples in modern Arabic literature, according to Salma Khadra Jayyusi and Shmuel Moreh. His modes of thinking and feeling, and ways of expressing them, have had a lasting influence on contemporary Arab thought and on the Mahjari poets. (Full article...)
  • Image 10 17th-century depiction of Murasaki by Tosa Mitsuoki Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
    Japanese woman in multi-layered clothing writing at a desk
    17th-century depiction of Murasaki by Tosa Mitsuoki

    Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting.

    Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
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